Games like Ngelalangka

THREE DAYS, UP A SWITCH-BACKING TRACK Silk strips on a teak gateway. Drifting gauzily with the wind. Inwards, at first. Then out. In again. And out. The breeze keeps shifting. Breathing. + In every fold of Dog Mountain there is a village, green with terraced rice. The farmers smile at you. They always harvest bumper crops. They all look a little thin, though. A little wan. And there are no animals…

FIVE DAYS, THROUGH FOGGY UPLANDS The river forks. The sun is out. Men nap on the bank, or dice in shabby cabanas. A young girl waves. “Guide?” she calls. “Need a guide?” + The forest of Upper Heleng was Time's lover; he refuses to flow within her borders, and their children the seasons govern her people as gods. The people of Upper Heleng live amid wonders. They hunt yam-men, trade with rhinos. De…

THREE DAYS, ISLAND-HOPPING EASTWARDS Laundry lines stretch out past the mangrove trees. They flap like sails over the water: skeins of yarn, sheets of cloth, dyed this morning. + In these islands, spoken language marks you as a foreigner. The monitor-folk do not speak, and did not make words. Merchants who travel here negotiate with sign and gesture. They come to buy textiles of exquisite craft. N…

FIVE DAYS ON FOOT, WESTWARDS Wooden posts line the road. Carved with feline forms: snarling tigers, sulking tabbies. You feel them staring. + In Kraching, woodworking is revered. The surrounding forests are full of haunted timber, longing to be carved into masks and figurines; they want to see the world. In Kraching, cats are revered. Scions of the god Auw, they are welcomed as equal members of an…

MAYBE FOUR DAYS, ON FAIR WINDS The ship’s navigator collapses. Her seizing limbs beat staccato on the deck. The captain points at her and says: “That’s how you know we’re near.” + In Stray Virassa, locals are outnumbered ten-to-one by immigrants: sailors from distant Mu -- drowned, dead. Spectral.   This is the Fourteenth Hell of Mu-folk tradition, the one reserved for those lost at sea. But life …

THREE DAYS OUT, DURING THE DRY SEASON There is a hole in the ocean, between your prow and the horizon line. A wide, deep valley. The waves slope steeply down to the beach below. + Korvu belongs to the Sea. Its people live in a hole in the ocean. They farm the seabed soil and praise their goddess's generosity. Then the storms come. The Sea drowns Korvu. The people take to their house-boats. They be…

FIVE DAYS BY BOAT, UPRIVER You come to wide lake, watched by limestone cliffs. Shapes lurk in the water. Shapes wait up ahead. + Riches clog Mr-Kr-Gr's rivers -- but its citizens build neither soaring temple nor palace spire. It is forbidden to set stone upon stone, in Mr-Kr-Gr. The crocodiles say so. The crocodiles rule, here. What stone cities exist in Mr-Kr-Gr are overgrown ruins -- haunted by …

The toyol: an imp created from a dead fetus, a consummate thief. The penanggalan: a vampire whose head and entrails leave its body, to fly about in the night. The hantu tetek, who smothers victims between its massive breasts. "Hantu" -- of Malaysian popular lore -- is typically translated as "ghost", though this isn't quite right; "spirit" or "monster" are better. Hantu are feared, often malevolen…

Askaya: Remnants of Ajuna is a 3rd person adventure-role playing game set on the continent of Askaya, where the sibling nations of an ancient empire stand in almost constant conflict. Players will embark on a series of adventures (called “stories”) that are generated through the roll of story dice (six sided dice that contain pictures on each side instead of numbers). These dice rolls are interpre…

A turn-based roguelite RPG set in a mythic northern wilderness. Explore procedurally generated lands, battle eerie folkloric creatures, and craft powerful builds on your journey to the land of the dead. Experiment with diverse playstyles in a richly tactical, old-school inspired adventure.