- September 11, 2017
- Walter Machado
TTV2
Platforms
About
TTV2 is the sequel to Trip to Vinelands, described as an arcade retro hardcore maze wanderer minigame. It is a single-player experience with a focus on reflex-based gameplay and original audio and art. The game is part of the UBERMOSH arcade series and offers a challenging and retro gaming experience with a great soundtrack.





- Fun and challenging gameplay that keeps players engaged.
- Great music and unique visuals enhance the overall experience.
- Affordable price point makes it accessible for casual gamers and achievement hunters.
- Repetitive gameplay can lead to boredom after a short time.
- Some players find the game too easy compared to its predecessor.
- Limited variety in levels and mechanics may not satisfy those looking for a deeper experience.
music
44 mentions Positive Neutral NegativeThe music in the game has received widespread acclaim for its intensity and composition, often described as "killer," "badass," and "awesome," effectively enhancing the gameplay experience. While some players noted that the music resets per stage, leading to a choppy experience, many found it to be a highlight that adds urgency and excitement to the game. Overall, the soundtrack is considered a key element that elevates the game's aesthetic and emotional impact.
“The new music track follows the same dynamic style as the original, sticking to the same core set of instruments and style, though I'd wager that it's even more intense-sounding than last time, and I downright loved it.”
“The music is well-composed and it almost seems to bestow a sense of urgency on you.”
“A more thrilling and active sequel to Trip to Vinelands in every way: cool art, better gameplay, and an awesome dynamic music.”
“Music resets per stage so it's kinda choppy, one of the game's weaker points.”
“I would say the music, game pacing, and theme is what really sells this; otherwise, it's just a short arcade game with little replayability once you get the 100%.”
“The new music track follows the same dynamic style as the original, sticking to the same core set of instruments and style, though I'd wager that it's even more intense-sounding than last time.”