- July 12, 2017
- Tyler Glaiel
- 8h median play time
The End Is Nigh
It's really tough to follow-up Super Meat Boy, but Edmund McMillen and Tyler Glaiel did it nonetheless with a dreary challenging platformer.
Platforms
About
"The End is Nigh" is a challenging platformer game where players control Ash, a deformed being who survived the end of the world. The goal is to navigate through treacherous environments, solve puzzles, and overcome obstacles to reach new areas. With over 600 levels, the game offers a vast and intense experience, pushing the player's skills to the limit in a post-apocalyptic world.









- The game features tight controls and responsive mechanics, making platforming feel satisfying and fair.
- The soundtrack is a fantastic collection of remixed classical music that enhances the game's atmosphere.
- The level design is clever and varied, with numerous secrets and collectibles that encourage exploration.
- The game can be excessively difficult, especially in the later levels and optional challenges, which may frustrate some players.
- The ledge-grabbing mechanic can feel inconsistent, leading to unfair deaths and frustrating gameplay moments.
- The lack of a level select feature forces players to backtrack through entire worlds to collect missed items, which can be tedious.
music
874 mentions Positive Neutral NegativeThe music in "The End is Nigh" has received widespread acclaim for its innovative remixes of classical pieces, primarily composed by Ridiculon, which blend rock and metal elements to create an engaging and atmospheric soundtrack. Many players appreciate how the music enhances the gameplay experience, providing motivation during challenging levels, although some find it repetitive over time. Overall, the soundtrack is considered a standout feature, contributing significantly to the game's unique charm and emotional depth.
“The soundtrack is a well-crafted series of arrangements of some iconic classical tracks, and each remix adds its own melodies and riffs to make some songs almost unrecognizable.”
“The music fits the game so damned well and elevates it from a great platformer to a genuinely exciting and bombastic experience.”
“The end is nigh's OST is comprised of classical music remixed into Ridiculon's crunchy metal style and is absolutely one of the best OSTs I've ever heard in a game, fitting each unique area in interesting ways.”
“The copyright free, overused, slightly remixed music ruins the game for me.”
“Gameplay good, but dear god, if you don't *love* classical music, do yourself a favor and turn off the soundtrack.”
“From the level design to the music, it seems that absolutely no effort was put into making this game.”
The End Is Nigh (Switch) Review
Bow before your new master.
85%The End Is Nigh Review
There’s no doubt about it - The End Is Nigh delivers excellent platforming. It’s a manageable challenge from start to finish, and a game that becomes more and more enjoyable as you slowly adapt to its seemingly unforgiving design. At the same time you’ll never feel completely unstoppable like you would in other notable platform titles. It keeps you on your toes from start to finish and has a balance few other games associated with this genre manage to achieve.
80%The End is Nigh Review
Anyone who enjoyed Super Meat Boy is likely to have a good time with The End is Nigh. Both games are very similar, with the latter being a somewhat more mature and thought-provoking platformer. Ed McMillen knows how to make his games hard and addictive and that has not changed here. Sometimes the unrelenting challenge can lead to fatigue, yet at the same time that sensation of being worn out and battered is extremely fitting considering the portentous atmosphere in the later sections. There really is no other talent like McMillen working in the industry. The man crafts simple and easy to pick up games that are extremely difficult, yet at the same time combine sardonic wit, dark humour, and a foreboding solemness.
80%