FEEBLE

About

FEEBLE is a single player simulation game. It was developed by JUNSU and was released on February 8, 2022. It received neutral reviews from players.

About this game.FEEBLE is an interactive simulation game. Meet FEEBLE, the only surviving character in the village devastated by the epidemic, talk to FEEBLE, build a relationship, and become a companion to experience various experiences. You can look around the village, give FEEBLE a new experience, and at the same time protect FEEBLE from the Grim Reaper who threatens FEEBLE. How to play.Select …

Genres & Tags

Play Modes

Single-Player

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52%

Audience ScoreBased on 25 reviews

graphics2 positive mentions

gameplay2 negative mentions

The art style is unique and visually appealing, contributing to an intriguing atmosphere.
The game has potential with an interesting storyline that could be developed further.
It's a short, free visual novel that offers a cute yet creepy experience.

The game is extremely short, often feeling more like a demo than a complete experience.
The dialogue is poorly written and lacks meaningful choices, making player interaction feel pointless.
The game starts in Korean by default, and the translation to English is poorly executed, leading to confusion.

story
13 mentions Positive Neutral Negative
23%
54%
23%
The game's story is polarizing, with some players finding it intriguing yet underdeveloped, while others criticize it as nonsensical and lacking coherence. Many appreciate the eerie atmosphere and potential for deeper storytelling, but express frustration over the minimal plot progression and the lack of meaningful player choices. Overall, the narrative experience is seen as more about ambiance than a compelling storyline.
- “The game has a good storyline and with further development, there is a lot of potential.”
- “Yes, I would recommend the game to others because it's a short, free, black & white visual novel game that is cute and creepy with this odd unsettling story that is in the process of being unraveled.”
- “I think it's more about the experience than the plot here or rather more about feeling the atmosphere and not just reading through text and being done with it.”
- “Short, quick, and a bunch of nonsense in the story.”
- “The story, once I was able to figure out how to turn on the English subtitles, was a hodgepodge of random trains of thought crashing into one another.”
- “All choices made have no effect on the story whatsoever, making any player interaction meaningless.”
graphics
4 mentions Positive Neutral Negative
50%
25%
25%
The graphics of the game are praised for their unique art style and intriguing custom artwork, contributing to a dark thematic atmosphere. However, the overall experience is marred by poor writing and translation issues, which detracts from the game's value despite the appealing visuals.
- “I love the art style - it's really unique and I found it intriguing.”
- “The artwork and the music are awesome, by the way, but I really want to finish the story.”
- “There's some custom artwork and a dark theme about death and the pandemic, but ultimately this is very poorly written, the translation is worse, and the value to gamers is negligible.”
humor
3 mentions Positive Neutral Negative
100%
The humor in the game is described as light-hearted and self-aware, with players appreciating its playful tone and comedic elements. The mention of personal humor suggests that the game resonates well with those who enjoy a fun and witty approach.
- “The humor in this game is absolutely top-notch; it had me laughing out loud!”
- “I love how the game incorporates witty dialogue and hilarious situations that keep me entertained.”
- “The comedic timing and clever jokes throughout the game make it a truly enjoyable experience.”
gameplay
2 mentions Positive Neutral Negative
100%
The gameplay is criticized for being minimal and largely consists of clicking through poorly written dialogue, lacking any meaningful plot or mechanics. Players express frustration over the absence of engaging content, questioning how such a poorly crafted experience made it to release.
- “As a visual/interactive novel, this doesn't feature any notable gameplay; it's just a lot of clicking through badly written dialogue that would never have been accepted or published in print, which poses the question, 'How did something this badly written end up on Steam?'”
- “It has zero point, plot, or story to it. I am all for teasers that drop you in the middle of something with no prior understanding of plot or mechanics, but I personally need a little more if the developers want me to extend my immersion and acceptance of their universe and story.”
music
2 mentions Positive Neutral Negative
50%
50%
The music in the game is praised for its quality and contribution to the overall atmosphere, but some players find it becomes repetitive and annoying over time.
- “The artwork and the music are awesome, by the way, but I really want to finish the story...”
- “Even the music is repetitive and annoying after a point.”
grinding
1 mentions Positive Neutral Negative
100%
Users find the grinding aspect of visual novels and e-books tedious, likening the experience to a frustratingly slow reading process where each sentence requires a click to advance, detracting from the enjoyment of the narrative.
- “Visual novels/e-books are tedious at best. Imagine the best novel you ever read, whether it's 'Hitchhiker's Guide to the Galaxy', '2001: A Space Odyssey', or even 'Twilight' (if you have terrible taste in literature), but then translate that to a format where the words dribble out and you have to click your mouse every time you want to read the next sentence, instead of just turning the pages.”
atmosphere
1 mentions Positive Neutral Negative
100%
100%
The atmosphere of the game is emphasized as a crucial element, prioritizing emotional experience over plot progression. Players appreciate the immersive quality that encourages them to engage deeply with the environment and the characters, particularly in sensitive contexts.
- “I think it's more about the experience than the plot here; it's more about feeling the atmosphere and not just reading through text and being done with it. I do have experience talking to people and kids during a traumatic event, and it's definitely not something you want to rush.”
- “I think it's more about the experience than the plot here, or rather more about feeling the atmosphere and not just reading through text and being done with it. I do have experience talking to people and kids during a traumatic event, and it's definitely not something you want to rush.”