- June 5, 2020
- 上海アリス幻樂団
Touhou Chireiden: Subterranean Animism
Platforms
About
"Touhou Chireiden: Subterranean Animism" is a bullet hell shooter game set in the fantasy world of Gensokyo. Players control either the scarf fairy Sanae or the Asian paladin Youmu, battling against a variety of spirit creatures in order to seal a hole leading to the subterranean realm. The game features fast-paced action, intricate patterns of projectiles, and a unique cast of supernatural characters.
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- The game features an outstanding soundtrack, with many memorable tracks that enhance the gameplay experience.
- Subterranean Animism is known for its challenging yet fair gameplay, rewarding players for mastering its mechanics and patterns.
- The character designs and unique shot types add depth and variety to the gameplay, making each run feel fresh and engaging.
- The game is extremely difficult, which may frustrate new players and is not recommended as a starting point for those unfamiliar with the Touhou series.
- Some shot types are considered weak or ineffective, leading to a lack of balance in gameplay options.
- The continue system can disrupt the pacing, forcing players to restart levels rather than allowing them to pick up from where they left off.
music
49 mentions Positive Neutral NegativeThe music in this game is widely praised as exceptional, with many reviewers highlighting its ability to enhance the gameplay experience and create a captivating atmosphere. Iconic tracks like "Lullaby of a Deserted Hell," "Nuclear Fusion," and "Hartmann's Youkai Girl" are frequently mentioned as standout pieces that complement the game's challenging stages. Overall, the soundtrack is considered one of the best in the series, contributing significantly to the game's appeal and memorability.
“The music is consistently quite good, being some of the best in the series; 'Lullaby of a Deserted Hell', 'Nuclear Fusion', and 'Green Eyed Jealousy' are some of note.”
“The music absolutely bangs... ZUN absolutely popped off.”
“Each song feels like it ushers you onwards, and like most of the songs in the series, each one sounds fun and fits well with its corresponding stage.”
“The music is as always with ZUN's music really good, but some of the later stage themes can be forgettable. It still has a lot of exceedingly excellent tracks (3rd Eye, Nuclear Fusion, Last Remote, Hartmann's Youkai Girl...).”
“What motivated me to keep playing even though I was getting absolutely annihilated was the soundtrack.”
“The dark music of this game composed by his highness (ZUN) is also truly fitting like nothing else.”